Liss Llewellyn Fine Art - 20th Century British Art

Sir Thomas Monnington (1902-1976)   BIOGRAPHY

 PRIVATE COLLECTION
 
Study of a laurel bush, 1919
Framed (ref: 7892)
Signed and dated, inscribed "All these leaves except 2/are fresh from the tree and are/lighter in tone (pale green)", squared
Pencil, pen and wash
10 x 12 3/4 in. (25.4 x 32.4 cm)

 


Provenance: Sir Joseph Burn KBE, father of Rodney Burn, Monnington's fellow-student at the Slade., purchased in 1919


Exhibited RA 1976, among 'six works by the late Sir Thomas Monnington PRA (539).


Monnington's reputation as a prodigy is evidenced by this drawing which was undertaken when he was only 17 years old.  In the 1977 RA Monnington catalogue it is identified as a  study for 'Rebecca at the Well', (a painting tempera on canvas, approx 36 x 48 in, painted while at the Slade School) 


The same tree appears as the central motif of Monnington's Rome period Annunciation exhibited at the Royal Academy in March 1926.  These two compositions might ultimately be one and same painting - assuming Monnington later reworked his Slade canvas.  The Annunciation indeed includes a figure at a well and various pentimenti suggesting a composition in a state of evolution.


The Annunciation, circa 1924/5

The drawing was purchased from the artist circa 1919 by Sir Joseph Burn KBE, father of Rodney Burn, Monnington's fellow-student at the Slade.



Sir Thomas Monnington (1902-1976)

Painter, especially of murals. Born in London, he studied at the Slade School in 1918-23 and was Rome Scholar in 1923-26. He married fellow Rome Scholar Winifred Knights in 1924. Among his public works are a decoration for St Stephen's Hall, Westminster, 1928, and the new Council House in Bristol, 1956. Monnington taught drawing at the Royal Academy Schools, 1931-39, and in 1949 joined the staff of the Slade, whose strong linear tradition marked his own work. Monnington is represented in a number of public galleries, including the Tate, British Museum and Imperial War Museum. He was elected RA in 1938, became its President in 1966 and was knighted in 1967. There was a memorial exhibition at the RA in 1977. Another traveled from the British School at Rome to the Royal Albert Memorial Museum in Exeter and the Fine Art Society in 1997. From the 1940s Monnington lived in Groombridge, Kent; the local landscape inspired much of his post-war work. Monnington was one of the outstanding draughtsmen of his generation. He had a considerable influence as a teacher (Euan Uglow was among his pupils), and was one of the most effective of the twentieth-century presidents of the RA, turning around the Academy's ailing fortunes. Remarkably he was the first president of the Academy to produce abstract paintings and indeed made no distinction between abstract and figurative art: "Surely what matters is not whether a work is abstract or representative, but whether it has merit. If those who visit exhibitions would come without preconceptions, would apply to art the elementary standards they apply in other spheres, they might glimpse new horizons. They might ask themselves: is this work distinguished or is it commonplace? Fresh and original or uninspired, derivative and dull? Is it modest or pretentious?" (Interview in the Christian Science Monitor, 29.5.67).

Selected Literature: Judy Egerton, Sir Thomas Monnington, Royal Academy of Arts, 1977 Paul Liss, Sir Thomas Monnington, British School at Rome/Fine Art Society plc, 1997

See all works by Sir Thomas Monnington