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£900

Presentation: Mounted
SN: 4785
Signed with initials and dated
Pencil
14 x 10 in. (35.5 x25.5 cm.)

This  study was presented as part of Ann Newland's successful  Rome/ Abbey Major Scholarship which Newland won in 1938/9 whilst studying at the Byam Shaw School, (1936-39, under Ernest Jackson). During World War II she was involved in camouflage, then taught in Scotland. Signed her work, which was mainly large, decorative canvases. A.N. She was influenced especially by the work of Andrea Mantegna. She showed at  the RA, RSA and elsewhere.

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£650

Presentation: Mounted
SN: 4614
Inscribed with titled and dated 1949-1955 on the original paper mount
Pencil on squared paper
9 1/8 x 15 2/8 in. (23.5 x 39 cm).

Ceres, according to Ancient Roman myth,  was the goddess of agriculture, grain crops, fertility and motherly relationships.  Although dated 1949-1955 this composition is closely related to Newland's large Decoration for the central panel of triptych, her principal work undertaken during her scholarship at The British School at Rome between 1938 and 1939. 

Stylistially the  composition shows elements of her training at the Byam Shaw School, (1936-39, under Ernest Jackson), combined with the influence of her time spent at The British School at Rome ( 1938/39 and 1946), and  her deep admiration for the work of Andrea Mantegna.

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£800

Presentation: Passe-partout
SN: 4608
Pencil and Watercolour on squared paper
5 x 8 in. (12.70 x 20.3cm)



Anne Newland trained at the Byam Shaw School, (1936-39, under Ernest Jackson) before gaining an Edwin Abbey Major Scholarship in 1938/39. During World War II she was involved in camouflage, then taught in Scotland. She signed her work, which was mainly large, decorative canvases. A.N. She was influenced especially by the work of Andrea Mantegna. She showed at the RA, RSA and elsewhere.

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£650

Presentation: Passe-partout
SN: 4615
Pencil on paper
6 1/4 x 7 in. (16 x 17.5 cm)




This is a study for The Legend of Ceres which Newland was working in on the late 1940's, having gained a Rome/ Abbey Major Scholarship a decade earlier which allowed her to complete a course of study at The British School in Rome. Prior to that she had trained at the Byam Shaw School, (1936-39, under Ernest Jackson). During World War II she was involved in camouflage, then taught in Scotland. She signed her work, which was mainly large, decorative canvases. A.N. She was influenced especially by the work of Andrea Mantegna. She showed at the RA, RSA and elsewhere.

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£330

Presentation: Unmounted
SN: 4819

Pencil
8 1/2 x 10 in. (21.5 x 25.5 cm)

On two sheets of paper, taped with museumtape.

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forthcoming exhibition


Presentation: Passe-partout
SN: 4949
Signed with initials
Watercolor on paper 23.5 x 23.5 cm (32.5 x 32.5 cm framed)

In a letter to Evyln Shaw, (Secretary to The British School at Rome) Newland wrote (after interupting her Rome Scholarship to return to England)
Dear Mr Shaw
I have been meaning to write to you for some time to say that I
eventually got a job here at the Civil Defence Camouflage
Establishment and am now finding the work of everything most
interesting and very glad I accepted it.  ….
March 30th to Shaw
I am so awfully pleased to have this job and to be able to pull my
weight in some small way,…

March 17th 1940, The Archives of The British School at Rome

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Presentation: Mounted
SN: 4597
Pencil and Watercolour on paper
14 3/4 x 11 in. (37.5 x 27.5 cm)

This is a study for The Legend of Ceres which Newland was working on in the late 1940's, having gained a Rome/ Abbey Major Scholarship a decade earlier which allowed her to complete a course of study at The British School in Rome. Prior to that she had trained at the Byam Shaw School, (1936-39, under Ernest Jackson). During World War II she was involved in camouflage, then taught in Scotland. She signed her work, which was mainly large, decorative canvases. A.N. She was influenced especially by the work of Andrea Mantegna. She showed at the RA, RSA and elsewhere.