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£1,600

Presentation: Framed
SN: 528
Original copper plate etched (and cancelled) by Augustus John
4 × 3½ in. (10.2 × 8.9 cm.)
Provenance: Russell Barnes
Literature: Campbell Dodgson, catalogue raisonné (no. 60)

The published state of this etching (25 impressions) was printed in 1906.
The model is Dorelia (Dorothy McNeill), John’s mistress from 1903.

We are grateful to David Maes, Hilary Gerrish and Michael Campbell
for assistance.
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£150

Presentation: Unmounted
SN: 3079
Etching
Plate: 5 1/8 x 4 in. (13 x 10.2 cm.) (cancelled)
Print: 7 3/4 x 6 1/4 in. (19.8 x 16 cm.)
Two prints have been printed posthumously on
GUARRO Superalfa paper (250 g/mÂ²)
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£150

Presentation: Unmounted
SN: 3081
Etching
Plate: 4 x 5 1/8 in. (10.2 x 13 cm.) (cancelled)
Print: 7 1/4 x 8 in. (18.4 x 20 cm.)
Two prints have been printed posthumously on
GUARRO Superalfa paper (250 g/mÂ²)
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Presentation: Unmounted
SN: 3078
Etching
Plate: 6 x 4 in. (15.4 x 10.2 cm.) (cancelled)
Print: 9 1/2 x 7 1/2 in. (24 x 19 cm.)
Two prints have been printed posthumously on
GUARRO Superalfa paper (250 g/mÂ²)
The subject of this print dates from a visit John made to Dartmoor in 1905 with his wife Ida and sons David and Robin, who are the models here.
John made 140 etchings, the majority between 1901 and 1906, culminating in an exhibition organized by Charles Knewstubb at the Chenil Gallery, London, in 1906.
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Presentation: Unmounted
SN: 5157
Paper size: 8 1/2 x 7 in. (21.5 x 18 cm.)
Plate size: 5 x 4 in. (12.7 x 10.2 cm.)

9 copies of the Self portrait have been posthumously printed in total, from the cancelled copper plate, on Arches 250g paper by master print maker David Maes.
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Presentation: Framed
SN: 569
Signed on the plate
Original copper plate etched (and cancelled) by Augustus John 6 × 4 in. (15.2 × 10.2 cm.)
Provenance: Russell Barnes
Literature: Campbell Dodgson, catalogue raisonné (no. 94)

John made 140 etchings, the majority between 1901 and 1906, culminating in an exhibition organised by Charles Knewstubb at the Chenil Gallery, London, in 1906. The published state of Out on the Moor (25 impressions) was issued in 1906. The subject dates from a visit John made to Dartmoor in 1905 with his wife Ida and sons David and Robin, who are the models here.

John’s relationship with Nettleship, whom he married in 1901, is the subject of Orpens roundel, Annete and Lubin (see cat. 58).

We are grateful to David Maes, Hilary Gerrish and Michael Campbell for assistance.

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Presentation: Framed
SN: 1148
Original cancelled copperplate 4 15/16 x 3 15/16 in. (12.5 x 10 cm).
Provenance: Russell Barnes Esq
Literature: Lit: Campbell Dodgson, Catalogue raisonne, No 9

25 impressions were published in 1906.
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Presentation: Unmounted
SN: 3080
Etching
Plate: 4 x 3 1/2 in. (10.2 x 8.8 cm.) (cancelled)
Print: 9 x 8 in. (23 x 20 cm.)
Two prints have been printed on
GUARRO Superalfa paper (250 g/m)
The model for this print is Dorelia (Dorthy McNeill), John's mistress from 1903.
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Presentation: Framed
SN: 3085
Etching
Plate: 4 x 5 1/8 in. (10.2 x 13 cm.) (cancelled)
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Presentation: Framed
SN: 3087
Etching
Plate: 4 x 3 1/4 in. (10.1 x 8.3 cm.) (cancelled)

Thumbnail panels:

Augustus John 1878 - 1961

Painter mainly in oil. draughtsman and printmaker. Born in Tenhy, Wales, brother of the artist Gwen John, he attended the Slade School of Fine Art, 1894-8, winning a Scholarship in 1896 and the Summer Composition Prize two years later. John's prodigious natural ability as a draughtsman won the admiration of Henry Tonks, and lie soon established himself as a star student and an art world character. Became professor of painting at Liverpool University art school, 1901-4. John started an association with gypsies, learning their language and painting them. Began his wide travels in Britain and on the continent, sometimes travelling by caravan. Over several years painted with J D Innes and Derwent Lees. Started to exhibit widely, having his first one-marl show at the Carfax Gallery in 1903. Also showed at the Chenil Galleries, NEAC, Alpine Gallery, Independent Club, RA and elsewhere over the coming years, where he became noted for drawings and paintings of his second wife, Dorelia, his children, his sister Gwen, personalities such as George Bernard Shaw, T E Lawrence, W B Yeats and Dylan Thomas, and for his landscapes and romantic scenes of peasant life. Although sometimes out of fashion, John is assured a place as one of the great figures of British painting in his lifetime. His work is in many galleries, including the Tate Gallery and National Portrait Gallery. Elected RA 1928, resigned 1938, re-elected 1940. Awarded Order of Merit 1942. Autobio¬graphical reminiscences Chiaroscuro were published in 1952, Finishing Y'oaches, 1964. Retrospectives included one at National Portrait Gallery, 1975, National Museum of Wales, Cardiff, and tour, 1996, and Olympia Fine Art and Antiques Fair, 1999. In 2004--5 Tate Britain held the first large-scale exhibition to focus on Augustus and Gwen (1876-1939). Notable among Augustus's many children were Admiral of the Fleet Sir Caspar John (by his first wife, Ida); the painters Edwin John (by his first wife, Ida), Gwyneth Johnstone (by Nora Brownsword, a model) and Vivien John (by Dorelia); and the cellist Amaryllis Fleming (by Eve Fleming, a rich society hostess widow whose sons included Peter Fleming, writer and explorer, and Ian, the writer and creator of James Bond). John lived at Fording¬bridge, Hampshire.