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  • Study for Scandal - model with coffee cup -
    Send image Biography To be included in a
    forthcoming exhibition



    Presentation: Unmounted
    SN: 2883
    Scandal depicts a naked couple embracing while an audience of disapproving onlookers in the background peer at them with mouths agape and hands raised in horror. The 1.6 x 1.5 metre relief was boldly displayed in the drawing room of society couple Henry and Gwen Mond where it both scandalised and satirised 1930s polite society with its reference to the couple’s earlier ménage à trois with the writer Gilbert Cannan.

    Scandal was commissioned by Henry Mond (heir to the ICI fortune and later the second Lord Melchett) and his wife Gwen in 1930 for their drawing room at Mulberry House, Smith Square, Westminster. The relief is a humorous play on the relationship between the couple’s public notoriety and private life. It is a highly original work of art, rich in symbolism, and was an integral part of their celebrated 1930s Art Deco interior.

    Mark Jones, Director of the V&A, said: "Scandal is a wonderful example of Jagger’s work and was a daring riposte by Henry Mond to 1930s society. This is a welcome addition to the V&A’s 20th century British Sculpture gallery."

    Charles Sargeant Jagger was born in Kilnhurst near Sheffield in 1885. In 1908 he was awarded a scholarship to study at the Royal College of Art where he studied sculpture and modelling until 1911. He served in the First World War in the Dardenelles and on the Western Front and was wounded three times, the last time seriously. In 1918 and he was made an Official British War Artist for the Ministry of Information. Following the war, he undertook numerous war memorial commissions of which the most famous is the Royal Artillery Memorial at Hyde Park Corner (1925).
  • Study for Scandal, nude with hands raised -
    Send image Biography To be included in a
    forthcoming exhibition



    Presentation: Unmounted
    SN: 2884
    Scandal depicts a naked couple embracing while an audience of disapproving onlookers in the background peer at them with mouths agape and hands raised in horror. The 1.6 x 1.5 metre relief was boldly displayed in the drawing room of society couple Henry and Gwen Mond where it both scandalised and satirised 1930s polite society with its reference to the couple’s earlier ménage à trois with the writer Gilbert Cannan.

    Scandal was commissioned by Henry Mond (heir to the ICI fortune and later the second Lord Melchett) and his wife Gwen in 1930 for their drawing room at Mulberry House, Smith Square, Westminster. The relief is a humorous play on the relationship between the couple’s public notoriety and private life. It is a highly original work of art, rich in symbolism, and was an integral part of their celebrated 1930s Art Deco interior.

    Mark Jones, Director of the V&A, said: "Scandal is a wonderful example of Jagger’s work and was a daring riposte by Henry Mond to 1930s society. This is a welcome addition to the V&A’s 20th century British Sculpture gallery."

    Charles Sargeant Jagger was born in Kilnhurst near Sheffield in 1885. In 1908 he was awarded a scholarship to study at the Royal College of Art where he studied sculpture and modelling until 1911. He served in the First World War in the Dardenelles and on the Western Front and was wounded three times, the last time seriously. In 1918 and he was made an Official British War Artist for the Ministry of Information. Following the war, he undertook numerous war memorial commissions of which the most famous is the Royal Artillery Memorial at Hyde Park Corner (1925).
  • Study for Scandal - hand -
    Send image Biography To be included in a
    forthcoming exhibition



    Presentation: Unmounted
    SN: 2885
    Scandal depicts a naked couple embracing while an audience of disapproving onlookers in the background peer at them with mouths agape and hands raised in horror. The 1.6 x 1.5 metre relief was boldly displayed in the drawing room of society couple Henry and Gwen Mond where it both scandalised and satirised 1930s polite society with its reference to the couple’s earlier ménage à trois with the writer Gilbert Cannan.

    Scandal was commissioned by Henry Mond (heir to the ICI fortune and later the second Lord Melchett) and his wife Gwen in 1930 for their drawing room at Mulberry House, Smith Square, Westminster. The relief is a humorous play on the relationship between the couple’s public notoriety and private life. It is a highly original work of art, rich in symbolism, and was an integral part of their celebrated 1930s Art Deco interior.

    Mark Jones, Director of the V&A, said: "Scandal is a wonderful example of Jagger’s work and was a daring riposte by Henry Mond to 1930s society. This is a welcome addition to the V&A’s 20th century British Sculpture gallery."

    Charles Sargeant Jagger was born in Kilnhurst near Sheffield in 1885. In 1908 he was awarded a scholarship to study at the Royal College of Art where he studied sculpture and modelling until 1911. He served in the First World War in the Dardenelles and on the Western Front and was wounded three times, the last time seriously. In 1918 and he was made an Official British War Artist for the Ministry of Information. Following the war, he undertook numerous war memorial commissions of which the most famous is the Royal Artillery Memorial at Hyde Park Corner (1925).
  • Study for Scandal - clenched feet -
    Send image Biography To be included in a
    forthcoming exhibition



    Presentation: Unmounted
    SN: 2886
    Scandal depicts a naked couple embracing while an audience of disapproving onlookers in the background peer at them with mouths agape and hands raised in horror. The 1.6 x 1.5 metre relief was boldly displayed in the drawing room of society couple Henry and Gwen Mond where it both scandalised and satirised 1930s polite society with its reference to the couple’s earlier ménage à trois with the writer Gilbert Cannan.

    Scandal was commissioned by Henry Mond (heir to the ICI fortune and later the second Lord Melchett) and his wife Gwen in 1930 for their drawing room at Mulberry House, Smith Square, Westminster. The relief is a humorous play on the relationship between the couple’s public notoriety and private life. It is a highly original work of art, rich in symbolism, and was an integral part of their celebrated 1930s Art Deco interior.

    Mark Jones, Director of the V&A, said: "Scandal is a wonderful example of Jagger’s work and was a daring riposte by Henry Mond to 1930s society. This is a welcome addition to the V&A’s 20th century British Sculpture gallery."

    Charles Sargeant Jagger was born in Kilnhurst near Sheffield in 1885. In 1908 he was awarded a scholarship to study at the Royal College of Art where he studied sculpture and modelling until 1911. He served in the First World War in the Dardenelles and on the Western Front and was wounded three times, the last time seriously. In 1918 and he was made an Official British War Artist for the Ministry of Information. Following the war, he undertook numerous war memorial commissions of which the most famous is the Royal Artillery Memorial at Hyde Park Corner (1925).
  • Study for Scandal - right hand, left hand -
    Send image Biography To be included in a
    forthcoming exhibition



    Presentation: Unmounted
    SN: 2887
    Scandal depicts a naked couple embracing while an audience of disapproving onlookers in the background peer at them with mouths agape and hands raised in horror. The 1.6 x 1.5 metre relief was boldly displayed in the drawing room of society couple Henry and Gwen Mond where it both scandalised and satirised 1930s polite society with its reference to the couple’s earlier ménage à trois with the writer Gilbert Cannan.

    Scandal was commissioned by Henry Mond (heir to the ICI fortune and later the second Lord Melchett) and his wife Gwen in 1930 for their drawing room at Mulberry House, Smith Square, Westminster. The relief is a humorous play on the relationship between the couple’s public notoriety and private life. It is a highly original work of art, rich in symbolism, and was an integral part of their celebrated 1930s Art Deco interior.

    Mark Jones, Director of the V&A, said: "Scandal is a wonderful example of Jagger’s work and was a daring riposte by Henry Mond to 1930s society. This is a welcome addition to the V&A’s 20th century British Sculpture gallery."

    Charles Sargeant Jagger was born in Kilnhurst near Sheffield in 1885. In 1908 he was awarded a scholarship to study at the Royal College of Art where he studied sculpture and modelling until 1911. He served in the First World War in the Dardenelles and on the Western Front and was wounded three times, the last time seriously. In 1918 and he was made an Official British War Artist for the Ministry of Information. Following the war, he undertook numerous war memorial commissions of which the most famous is the Royal Artillery Memorial at Hyde Park Corner (1925).
  • Study for Scandal - right foot, left foot -
    Send image Biography To be included in a
    forthcoming exhibition



    Presentation: Unmounted
    SN: 2888
    Scandal depicts a naked couple embracing while an audience of disapproving onlookers in the background peer at them with mouths agape and hands raised in horror. The 1.6 x 1.5 metre relief was boldly displayed in the drawing room of society couple Henry and Gwen Mond where it both scandalised and satirised 1930s polite society with its reference to the couple’s earlier ménage à trois with the writer Gilbert Cannan.

    Scandal was commissioned by Henry Mond (heir to the ICI fortune and later the second Lord Melchett) and his wife Gwen in 1930 for their drawing room at Mulberry House, Smith Square, Westminster. The relief is a humorous play on the relationship between the couple’s public notoriety and private life. It is a highly original work of art, rich in symbolism, and was an integral part of their celebrated 1930s Art Deco interior.

    Mark Jones, Director of the V&A, said: "Scandal is a wonderful example of Jagger’s work and was a daring riposte by Henry Mond to 1930s society. This is a welcome addition to the V&A’s 20th century British Sculpture gallery."

    Charles Sargeant Jagger was born in Kilnhurst near Sheffield in 1885. In 1908 he was awarded a scholarship to study at the Royal College of Art where he studied sculpture and modelling until 1911. He served in the First World War in the Dardenelles and on the Western Front and was wounded three times, the last time seriously. In 1918 and he was made an Official British War Artist for the Ministry of Information. Following the war, he undertook numerous war memorial commissions of which the most famous is the Royal Artillery Memorial at Hyde Park Corner (1925).
  • Chemistry (or the Chemist) 1928-29 -
    Send image Biography Sold


    Presentation: Framed
    SN: 944
    Signed
    bronze with dark patina on wooden base
    height (excluding base) 15 3/4 in. (40 cm)

    Exhibited: London, The Royal Society of Painters in Watercolours, The Charles Sargeant Jagger Memorial Exhibition, 21 May-20 June 1935, no. 14, illustrated p. 16, for sale at 50 gns, touring to Birmingham, Liverpool, Sheffield, Lincoln, Wakefield, Halifax, Dunfermline, Rochdale, Perth, Hull, Doncaster and Stockport; Halifax, Bankfield Museum, The Art of the Jagger Family, 26 August-23 September, 1939-1940, no 3 (another cast), touring to Burton, Darlington, Lincolm, Rotherham and Sunderland; London, Imperial War Museum, Charles Sargeant Jagger War and Peace Sculpture Centenary Exhibition 1885- 1985, 1 May-29 september 1985 (another cast); Sheffield, Mappin Art Gallery, charles Sargeant Jagger, 19 October-30 November 1985, no. 40 (another cast)
    Literature: Ann Compton, The Sculpture of Charles Sargeant Jagger, the Henry Moore Foundation in association with Lund Humphries, 2004, no. 75, p.126

    Conceived in 1928-9, the present work is a cast of the working model for the monumental Portland stone figure for Imperial Chemica House, Millbank.  The working model was cast in an adition of two, in 1935, with one further cast taken in 1937.
    Unlike Marine Transport, which was accpeted virtually unchanged for the final sculpture, Chemistry underwent various changes before its final state.  The original concept was for the figure to be prising open the harnd representing Nature to reveal its bounty, whilst in the present work we see this changed to a gentler process of mutual respect between the laboratory coat clad figure and the hand of Nature.
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