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  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial, situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£900


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Military Chaplain, circa 1945 -
    Biography Enquire about this picture£900


    Presentation: Framed
    Charcoal and water colour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    In a white gesso glazed frame

    This is the original drawing for one of the 24 panels designed and excecuted by Dean Cornwell for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial, situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial, situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial, situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial, situated near the south-east edge of the village of Neupré, twelve miles south-west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to produce designs for twenty-four white marble panels depicting functions of combat and service of supply, from data prepared by the American Battle Monuments Commission.The panels were fabricated by the Pandolfini firm of Piestrasanta in Italy and were painted in black, on white Carrara marble, the background of each picture being cut back and gilded, indicated by the yellow background of Cornwall’s drawings.
  • To Battle, mid 1940's -
    Biography Enquire about this picture£900


    Presentation: Framed
    Charcoal and watercolour
    3 1/8 x 4 3/4 in. (8 x 12 cm.)


  • Functions of Combat; Service of Supply, circa 1945 -
    Biography Enquire about this picture£1,200


    Presentation: Framed
    Charcoal and watercolour
    Each 4 × 4 in. (10.2 × 10.2 cm)
    Literature: Patricia Janis Border , Dean Cornwell, Collectors Press, Inc., Portland, OR, 2000, p. 142.

    These are the original designs for Ardennes American Cemetery and Memorial,
    situated near the south-east edge of the village of Neupré, twelve miles south-
    west of Liège, Belgium. Cornwell, a NewYork artist, was commissioned to
    produce designs for twenty-four white marble panels depicting functions of
    combat and service of supply, from data prepared by the American Battle
    Monuments Commission.The panels were fabricated by the Pandolfini firm
    of Piestrasanta in Italy and were painted in black, on white Carrara marble,
    the background of each picture being cut back and gilded, indicated by the
    yellow background of Cornwall’s drawings.


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