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£350

Presentation: Framed
SN: 1655
Watercolour and pen and ink
Arched top, 9 x 2 1/2 in. (23. x 6.3 cm.) on a stippled ground

In a shaped gilded oak frame with peg joints

A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.

As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.

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£390

Presentation: Framed
SN: 1657
Watercolour and pen and ink
Arched top, 9 x 2 1/2 in. (23. x 6.3 cm.) on a stippled ground

In a shaped gilded oak frame with peg joints.

A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.

As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.

This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.

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£330

Presentation: Mounted
SN: 1737
Watercolour and pen and ink on a stippled ground
12 x 7 in.  30 x 17.8 cm.

A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.

As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.

This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.

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£350

Presentation: Passe-partout
SN: 3138
Ink and watercolour on paper, 12 11/16 x 6 3/4 in. (32.2 x 17cm.)
(14 5/8 x 8 5/8 in. (37.2 x 22cm.) framed)

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£350

Presentation: Passe-partout
SN: 3408
Ink and watercolour.
10 7/16 x 9 1/4 in. (26.5 x 23.5 cm.)

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£400

Presentation: Framed
SN: 3409
Ink and watercolour.
10 7/8 x 6 1/4 in. (27.6 x 16 cm.)

In a gilded oak frame

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£400

Presentation: Framed
SN: 3410
Ink and watercolour.
9 7/8 x 10 3/8 in. (25.1 x 26.4 cm.)

In a gilded oak frame

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£400

Presentation: Framed
SN: 4251
Ink and watercolour on a stippled ground
27.2 x 17.2 cm

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£400

Presentation: Framed
SN: 5144

 Watercolour and ink on a stippled ground
9 3/4 x 5 ins. (24.5 x 13 cm)
extensively inscribed

In a gilded frame.

A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.

As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.

This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.

 

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£345

Presentation: Framed
SN: 5151

Watercolour and ink on a stippled ground
7 3/4 x 8 1/4 ins. (19.8 x 21 cm)
extensively inscribed

A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.

As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.

This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.

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Presentation: Mounted
SN: 2903
Watercolour and pen and ink on a stippled ground
Extensively inscribed

9 1/2  x 6 1/2 in. (24 x 16 .5 cm)

A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.

As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.

This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.