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  • Lozenge Relief, 1966 -
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     £2,200 



    Presentation: Framed
    Painted wood and perspex, with an aluminum surround;
    20¾ × 11¾ in. (53 × 30 cm.)

    Provenance: Annely Juda Fine Art; Laurie Stewart

    Best know as a printmaker, Stokoe produced three-dimensional works during a five-year period in the mid-1960s. ‘I was at the time emerging from a more gestural form of painting into experiments with the properties of pure colour, here exploiting gravity, height, perspective and balance’ (Letter to Paul Liss, 6 February 2007).

    Like many artists of the period Stokoe was excited by the new possibilities of perspex as a material, and especially the wide range of exciting colours that could be sourced from Denny’s art suppliers in Hammersmith,West London.

    A fourth piece from this ‘quartet’ (as Stokoe refers to the ensemble) remains in the private collection of the artist.
  • On and In - Variations on the Square No. 6 -
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     £2,900 



    Presentation: Framed
    Signed and inscribed with title on reverse
    24 x 24 in. (61 x 61 cm.) without balls.

    Provenance: Annely Juda Fine Art; Laurie Stewart

    Best know as a printmaker, Stokoe produced three-dimensional works during a five-year period in the mid-1960s. ‘I was at the time emerging from a more gestural form of painting into experiments with the properties of pure colour, here exploiting gravity, height, perspective and balance’ (Letter to Paul Liss, 6 February 2007).


  • Grey Balls, 1966 -
    Send image Biography Sold


    Presentation: Framed
    Signed and titled on the reverse
    Painted wood, with an aluminium surround, on a painted wooden base 12 × 10½ × 1¾ in. (30.5 × 26.7 × 4.5 cm.), base 6 × 10½ in. (15.3 × 26.7 cm.)
    Provenance: Annely Juda Fine Art; Laurie Stewart

    Best know as a printmaker, Stokoe produced three-dimensional works during a five-year period in the mid-1960s. ‘I was at the time emerging from a more gestural form of painting into experiments with the properties of pure colour, here exploiting gravity, height, perspective and balance’ (Letter to Paul Liss, 6 February 2007).

    Like many artists of the period Stokoe was excited by the new possibilities of perspex as a material, and especially the wide range of exciting colours that could be sourced from Denny’s art suppliers in Hammersmith,West London.

    A fourth piece from this ‘quartet’ (as Stokoe refers to the ensemble) remains in the private collection of the artist.
  • Square Relief, 1966 -
    Send image Biography Sold


    Presentation: Framed
    Signed on the reverse
    Painted wood and perspex, with an aluminium surround; 14 × 12 in. (35.5 × 30.5 cm.)
    Provenance: Annely Juda Fine Art; Laurie Stewart.


    Best know as a printmaker, Stokoe produced three-dimensional works during a five-year period in the mid-1960s. ‘I was at the time emerging from a more gestural form of painting into experiments with the properties of pure colour, here exploiting gravity, height, perspective and balance’ (Letter to Paul Liss, 6 February 2007).

    Like many artists of the period Stokoe was excited by the new possibilities of perspex as a material, and especially the wide range of exciting colours that could be sourced from Denny’s art suppliers in Hammersmith,West London.

    A fourth piece from this ‘quartet’ (as Stokoe refers to the ensemble) remains in the private collection of the artist.
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