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pencil and coloured chalk on paper,
9 1/4 x 11 3/4in. (23.5 x 30cm)
| £2,500 |
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| £430 |
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Pen and ink with wash on paper.
13 1/2 x 9 1/2 in. (34.3 x 24 cm.)
Christine Sheppard, the artist's daughter.
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.17
Although best known as an illustrator, especially of magazines such as Lilliput, Picture Post and The Studio as well as of children’s books, Sheppard was one of the most gifted painters of wildlife of his generation. He was also an extremely diverse artist, producing semi-abstract and surrealist images alongside those of a purely realistic nature.
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Signed
Watercolour on paper
15 3/4 x 23 5/8 in. (40 x 60 cm.)
Provenance: Christine Sheppard
Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour pages 8-9
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.48
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| £650 |
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Born London 3 March 1913, Raymond Sheppard was an artist in water-colour, black and white, oil, and pastel.
Studied art at Bolt Court under S.G. Boxsius.
He exhibited:
R.A; R.I; R.S.A and his work was reproduced regularly in publications
including Lilliput ; The Studio, Picture Post, John Bull, Everybody’s ;
in children’s books, nature books and calendars.
Married
Iris Gale on December 3rd 1942; had one daughter Christine born 17
March 1944, and one son Michael born 25th July 1946. All feature frequently as the models in his work. Lived in Kenton and then Harrow Weald, Middx.
He served in the RAF photographic section during the
WW2. Despite long periods of ill health and the interruption of the War
years he was, nevertheless, prolific in demonstrating his wide range of
artistic ability as a master draughtsman, illustrator, and landscape
and wildlife artist..
Raymond
Sheppard produced many studies of birds and animals from life, mainly
at Regents Park Zoo and was made a Fellow of the Zoological Society in
1949.
Publications: How to Draw Birds (first
published by Studio in 1940), Drawing at the Zoo (1949 Studio), More
Birds to Draw (Studio 1956).
He also painted landscapes, family portraits, in watercolour, oil, and pastels . He was a founder member of the Wapping Arts Group, a group of artists who sketched and painted by and around the river Thames in London, which was formed just before WW2 but did not start in earnest until 1946.
Raymond Sheppard died in London of cancer in 1958 with which he had battled since 1949.
Rayond Sheppards work has recently undergone a major reassessment being the subject of a number of museum and commercial shows and featured in the Langford Press coffee table book "Raymond Sheppard:Capturing the Moment"(2009).
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| £345 |
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| £345 |
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Inscribed with title in pencil
Pen and ink,
3 1/2 x 3 3/8 in. (9 x 8.5 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.70
During the Second World War Sheppard worked in the Royal Airforce photographic section.
Provenance: The Artist's Estate
Similar images were reproduced in Lilliput, (vol 41:4) to illustrate the wartime story Operation Jericho by Sandy Sanderson.
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| £500 |
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Ink and wash on paper
10 x 13 7/8 in. (25.5 x 35.5 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.57
| £650 |
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| £1,150 |
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Pen and ink on gesso prepared board
13 3/4 X 5 3/4 in. (35 x 14.5 cm)
Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.85
This drawing appeared in the Young Elizabethan, (vol 9:1) as in illustration to Leave it to Jones by John Kippax Literature: Young Elizabethan, January 1956, vol 9:1, p. 21, (reproduced)
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Pen and ink over gouache on paper
5 1/2 x 4 1/2 in. (14 x 11.5 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.84
Literature:Lilliput, January/February 1952, vol30:1, issue 176, p. 73 (reproduced) This illustration appeared in Lilliput vol 30, to illustrate The great flight by BB (Dudley J. Watkins-Pitchford, the British children's and nature writer). The published version substituted turquoise for the orange of the original version.
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| £800 |
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| £1,950 |
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Dated March 4th 1950,
Pen and ink and watercolour on paper,
7 x 10 in. (18 x 25 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.63
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| £900 |
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| £750 |
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| £1,100 |
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Black chalk with white highlights on reddish paper.
5 1/4 x 4 1/4 in. (13.5 x 13.5cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.34
| £950 |
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Black chalk with white highlights on buff paper
6 7/8 x 10 1/4 in. (17.5 x 26 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.39
| £3,500 |
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Signed,
gouache on paper,
15 x 22 in. (38 x 55.8 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.81
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Signed
Pencil and gouache on card
17 3/8 x 13 1/2 in. (44 x 34.5 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.86
| £550 |
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Pencil, watercolour, white chalk and white gouache highlights
on brown paper
10 3/8 x 15 in. (26.2 x 38 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.59
| £1,100 |
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Black chalk with white and pink highlights on grey paper
7 3/4 x 13 in. (20 x 30 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.38
| £950 |
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Watercolour on paper
11 x 15 1/4 in. (28 x 39 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.7
| £1,900 |
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Signed,
Gouache on card
16 x 12 in. (30 x 28 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.83
| £1,500 |
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Signed
Gouache on card
16 x 12 in. (30 x 28 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.76
| £850 |
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Pencil and gouache on card
10 5/8 x 11 in. (27 x 28 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.88
Original drawing for January 1956 issue of Lilliput
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Inscribed with title
Coloured chalk
10 x 15 in.(25.3 x 37cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.42
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Watercolour and pen and ink
12 x 9 in. (29 x 22.8cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.26
| £1,200 |
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Pen ink and watercolour
15 x 11 in. (38 x 28 cm)
Provenance: the artists daughter
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.20
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| £1,800 |
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Black chalk with white highlights on dark grey textured paper
12 3/4 x 8 1/2 in. (32.5 x 21.8 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.18
| £950 |
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Pencil on paper
10 x 14 1/4 in. (25.5 x 36.4 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.62
| £1,800 |
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Black chalk with whitehighlights on grey paper
9 7/8 x 12 1/4 in. (25 x 31 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.40
| £300 |
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Between 1934 and 1958 Sheppard illustrated well over 100
books. The majority of these date from the 1950’s when Sheppard
was often illustrating as many as ten a year – a prodigious
rate tragically cut short by his death at the age of 45. Commissions
from over fifteen publishing houses (Hutchinson, Blackie
and Son, Macmillan, Oxford University Press, Faber and Faber)
included illustrations for leading authors of the day such as Enid
Blyton, (two books in 1948 as well contributing to a regular annual
she wrote all the stories for), Jim Corbett (six titles between
1947 and 1955) and, perhaps most notable of all, a commission
in 1952 (shared with Tunnicliffe) to illustrate Ernest Hemingway’s
The Old Man and the Sea.
Equally successful was Sheppard’s career as an illustrator for comics
such as Eagle, Girl, and Swift, and magazines such as Boy’s Own
Paper, Lilliput, Everbody’s, Picture Post, and Reynolds News. Lilliput
was founded in 1937 by Stefan Lorant , (the photo journalist who
later created Picture Post), with a subtitle of “The Pocket Magazine
for Everyone.” Its original size was allegedly such that it could be
slipped into a soldier’s trenchcoat and was no doubt read in many
an air-raid shelter in that handy size. During its 23 year run the
magazine contained the illustrations of Mervyn Peake, Eric Fraser,
Frank Bellamy (of Dan Dare fame) and, perhaps most famously,
Ronald Searle’s cartoon series St. Trinians. The magazine became
known for its photographs too, with work by Brassai, Zoltan
Glass and also Bill Brandt. The magazine subtitle was changed
in September 1954 to “Lilliput is a Man’s Magazine” . From a
starting position of 216,562 in 1938 - double that of Punch at the
time - by May 1959 Lilliput was only selling circa102,000 copies
- number 277, July 1960, was the last issue at which point it was
merged with Men Only.
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Inscribed with title
Pen and ink on board prepared with gesso
9 1/8 x 10 1/2 in. (23 x 27 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.75
The Russian Admiral had apparently gone mad, seeing Japanese Torpedo-Boats everywhere. Shells began to tear apart the Grimsby Trawler fleet....
Black chalk with white chalk highlights, on brown paper.
10 1/2 x 8 in. (26.5 x 20 cm)

Black chalk with white chalk highlights, on grey paper.
6 3/8 x 5 in. (16.2 x 12.5 cm.)
Christine Sheppard, the artist's daughter.
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.23
Pencil and watercolour on paper,
20 7/8 x 12 1/4 in. (53 x 31 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.1
Signed,
watercolour over pen and ink onWhatman board,
11 x 15 in. (28 x 38 cm.)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.30
Signed
Watercolour on paper
6 1/4 x 9 1/2 in. (16 x 24 cm)
Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.49