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  • Serval -
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     £1,200 



    Presentation: Passe-partout
    SN: 4635

    pencil and coloured chalk on paper,
     9 1/4 x 11 3/4in. (23.5 x 30cm)









  • Cruise Boat and Sail Boat at Wapping, circa 1930 -
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     £2,500 



    Presentation: Framed
    SN: 307
    Signed
    Oil on "Dalston" canvas board
    12 x 16 in. (30.5 x 40.5 cm).

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.68
  • Still life of Peublo Navaho and Avache ceramics,  late 1930's -
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     £430 



    Presentation: Passe-partout
    SN: 333
    Watercolour
    11 3/4 x 9 in. (30 x 23 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.3

    Sheppard frequently made drawings in the Natural History museum noting that one is able to concentrate when working on a piece of still life.... (Raymond Sheppard, More Birds to Draw, The Studio 1956,  p. 34)
  • The Artist's Wife Iris Llistening to the Wireless -
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     £900 



    Presentation: Mounted
    SN: 335

    Pen and ink with wash on paper.
    13 1/2 x 9 1/2 in. (34.3 x 24 cm.)


    Christine Sheppard, the artist's daughter.

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.17


    Although best known as an illustrator, especially of magazines such as Lilliput, Picture Post and The Studio as well as of children’s books, Sheppard was one of the most gifted painters of wildlife of his generation. He was also an extremely diverse artist, producing semi-abstract and surrealist images alongside those of a purely realistic nature.


  • Marabou Storks -
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     £1,500 



    Presentation: Mounted
    SN: 360

    Signed
    Watercolour on paper
    15 3/4 x 23 5/8 in. (40 x 60 cm.)

    Provenance: Christine Sheppard
    Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour pages 8-9


    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.48

  • Two Cubs Eyeing Sparrows in London Zoo -
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     £1,800 



    Presentation: Mounted
    SN: 361
    Signed pastel.
    15 x 3/4 x 23 5/8 in. (40 x 60 cm.)

    Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.44
  • Polar Bear, glancing right -
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     £650 



    Presentation: Passe-partout
    SN: 3856
    Black and white chalk, and pencil on paper.
    22 x 22cm (31 x 31cm framed)
  • Chipperfield Common Herts, circa 1950 -
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     £750 



    Presentation: Mounted
    SN: 3889
    Watercolour
    25 x 34.5 cm

    Provenance: Christine Sheppard

    Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour, as The Sunday Afternoon Outing,  p. 157.

    Born London 3 March 1913, Raymond Sheppard was an artist in water-colour, black and white, oil, and pastel.

    Studied art at Bolt Court under S.G. Boxsius.
    He exhibited: R.A; R.I; R.S.A and his work was reproduced regularly in publications including Lilliput ; The Studio, Picture Post, John Bull, Everybody’s ; in children’s books, nature books and calendars. 

    Married Iris Gale on December 3rd 1942; had one daughter Christine born 17 March 1944, and one son Michael born 25th July 1946.   All feature frequently as the models in his work.  Lived in Kenton and then Harrow Weald, Middx.

    He served in the RAF photographic section during the WW2. Despite long periods of ill health and the interruption of the War years he was, nevertheless, prolific in demonstrating his wide range of artistic ability as a master draughtsman, illustrator, and landscape and wildlife artist..

    Raymond Sheppard produced many studies of birds and animals from life, mainly at Regents Park Zoo and was made a Fellow of the Zoological Society in 1949.
    Publications: How to Draw Birds (first published by Studio in 1940), Drawing at the Zoo (1949 Studio), More Birds to Draw (Studio 1956).

    He also painted landscapes, family portraits, in watercolour, oil, and pastels . He was a founder member of the Wapping Arts Group, a group of artists who sketched and painted by and around the river Thames in London, which was formed just before WW2 but did not start in earnest until 1946. 

    Raymond Sheppard died in London of cancer in 1958 with which he had battled since 1949. 

    Rayond Sheppards work has recently undergone a major reassessment being the subject of a number of museum and commercial shows and  featured in the Langford Press coffee table book "Raymond Sheppard:Capturing the Moment"(2009).




  • Christine Seated with teddy, circa 1950 -
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     £774 



    Presentation: Framed
    SN: 1590
    Pen and ink on brown paper, with highlights in white
    9 x 8 in.
  • A speeding train hurled into another.... -
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     £345 



    Presentation: Framed
    SN: 1591
    Inscribed with title in pencil
    Pen and ink,
    3 1/2 x 3 3/8 in. (9 x 8.5 cm).

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.72

    This appeared in Lilliput, (vol 41:4), Operation Jericho by Sandy Sanderson Literature: Lilliput, October 1957, vol 41:4, issue 244, p 25 (reproduced)
  • High Level Aeriel Photos, circa 1957 -
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     £345 



    Presentation: Framed
    SN: 1593

    Inscribed with title in pencil
    Pen and ink,
    3 1/2 x 3 3/8 in. (9 x 8.5 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.70

    During the Second World War Sheppard worked in the Royal Airforce photographic section.

    Provenance: The Artist's Estate
    Similar images were reproduced in Lilliput, (vol 41:4) to illustrate the wartime story Operation Jericho by Sandy Sanderson.

  • Christine and Teddy Bear, c. 1950s -
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     £1,850 



    Presentation: Framed
    SN: 4575
    Waterclour on paper,
    9 7/8 x 13 3/4 in. (25 x 35 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.27
  • Night Forms, c.1940 -
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    £3,000  £1,500 



    Presentation: Framed
    SN: 2090
    Signed
    Gouache on paper
    20 1/2 x 13 3/8 in (52 x 34 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.80

    Although best known as an illustrator, especially of magazines such as Lilliput, Picture Post and The Studio as well as of children’s books, Sheppard was one of the most gifted painters of wildlife of his generation. He was also an extremely diverse artist, producing semi-abstract and surrealist images alongside those of a purely realistic nature.

    Sheppard’s abstract works probably date to the late 1940s and early 1950s. Organic in form, they were a natural extension of the interest he had in plants and animals, but are likely to have been equally informed by his work with the Royal Air Force photographic section from 1939 to 1945.
  • Christine Sketching at the Kitchen, at 25 Dorchester Way, circa 1952 -
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     £1,550 



    Presentation: Mounted
    SN: 2091
    Watercolour and pen and ink
    14 x 10 in. (36 x 25.5)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.25
  • The Tarn, France c.1944 -
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     £500 



    Presentation: Mounted
    SN: 2094

    Ink and wash on paper
    10 x 13 7/8 in. (25.5 x 35.5 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.57

  • Sheet with two portraits of Christine, one profile one 3/4 view circa 1951 -
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     £650 



    Presentation: Mounted
    SN: 2095
    Black chalk with white chalk highlights on brown paper.
    14 1/8 x 9 1/2 in. (36 x 24.2 cm.)
    Christine Sheppard, the artist's daughter.
  • Leave it to Jones, 1956 -
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     £1,150 



    Presentation: Mounted
    SN: 2097

    Pen and ink on gesso prepared board
    13 3/4 X 5 3/4 in. (35 x 14.5 cm)

    Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.85

     

    This drawing appeared in the Young Elizabethan, (vol 9:1) as in illustration to Leave it to Jones by John Kippax Literature: Young Elizabethan, January 1956, vol 9:1, p. 21, (reproduced)

  • The Great Flight, 1952 -
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     £950 



    Presentation: Mounted
    SN: 2110

    Pen and ink over gouache on paper
    5 1/2 x 4 1/2 in. (14 x 11.5 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.84

     Literature:Lilliput, January/February 1952, vol30:1, issue 176, p. 73 (reproduced) This illustration appeared in Lilliput vol 30, to illustrate The great flight by BB (Dudley J. Watkins-Pitchford, the British children's and nature writer). The published version substituted turquoise for the orange of the original version.

  • Sheet with Portrait of Christine and Self Potrait, c.1950  -
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     £430 



    Presentation: Mounted
    SN: 2111
    Black chalk with white highlights, on brown paper.
    9 7/8 x 6 15/16 in. (25.2 x 17.6 cm.)
    Christine Sheppard, the artist's daughter.

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.28

     

  • Brown Bears, Regents Park Zoo, late 1930's -
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     £800 



    Presentation: Unframed
    SN: 2115
    Oil on (Ashwin Sketching) board
    10 x 14 in. (25.5 x 35.5 cm)
  • Sea Forms, circa 1950 -
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     £1,950 



    Presentation: Framed
    SN: 2117
    Signed, watercolour pen and ink
    15 x 18 in. (38 x 45.8 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.78
  • Organic Forms, 1940s -
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     £1,950 



    Presentation: Framed
    SN: 2118
    Pastel on paper
    20 x 13 1/2 in. (50.8 x 34.3 cm)

    Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.77
  • Caravan in the Woods, dated March 4th 1950 -
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     £950 



    Presentation: Passe-partout
    SN: 4577

    Dated March 4th 1950,
    Pen and ink and watercolour on paper,
    7 x 10 in. (18 x 25 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.63



  • Ivory Coast masks from the Natural History Museum 1950's (S|R 58) -
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     £310 



    Presentation: Mounted
    SN: 2795
    Inscribed in pencil Pen and ink with watercolour.
    8 3/8 x 11 3/16 in. (21.3 x 28.5 cm.)
    Christine Sheppard, the artist's daughter.

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, p. 17

    Sheppard frequently made drawings in the Natural History museum noting that one is able to concentrate when working on a piece of still life.... (Raymond Sheppard, More Birds to Draw, The Studio 1956,  p. 34)


  • Study of a Tiger -
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     £1,400 



    Presentation: Passe-partout
    SN: 2805
    Black chalk with white highlights on blue paper
    7 3/4 x 13 in. (20 x 33 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.36
    +

  • Study of Cockerels -
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     £900 



    Presentation: Passe-partout
    SN: 3141
    White, red and black chalk on blue paper,
    7 1/2 x 10 1/4 in. (19 x 26cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.50

  • Circus circa 1940 -
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     £1,500 



    Presentation: Mounted
    SN: 3289
    Signed
    Watercolour
    15 x 20 in. (38 x 50.8 cm.)

    Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.10

    Although best known as an illustrator, especially of magazines such as Lilliput, Picture Post and The Studio as well as of children’s books, Sheppard was one of the most gifted painters of wildlife of his generation. He was also an extremely diverse artist, producing semi-abstract and surrealist images alongside those of a purely realistic nature. 

    Sheppard has recently been the subject of several museum and commercial shows and publications.  Liss Fine Art produced a catalogue on Sheppard in 2010.
  • Holiday Huts, Dorset beach -
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     £750 



    Presentation: Passe-partout
    SN: 3315
    Watercolour over pen and ink
    7 x 10 in. (18 x 25 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.64
  • Mudeford, Near Christchurch Dorset, 1950's -
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     £350 



    Presentation: Mounted
    SN: 3616
    Pencil
    10 1/4 x 13 3/4 in. (26 x 35 cm)
    Provenance: Christine Sheppard

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.61

  • Portrait of young girl, head and shoulders -
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     £524 



    Presentation: Framed
    SN: 3654
    Black and white chalk on blue paper
    5 x 5 1/2 ins.
  • Donkeys -
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     £2,750 



    Presentation: Unmounted
    SN: 3843
    Pastel on Canson Paper
    18 15/16 x 23 5/8 in. (48 x 60 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.54

  • Study of Tiger -
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     £1,100 



    Presentation: Passe-partout
    SN: 3859

    Black chalk with white highlights on reddish paper.
    5 1/4 x 4 1/4 in. (13.5 x 13.5cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.34

  • Studies of an Impala -
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     £950 



    Presentation: Passe-partout
    SN: 4587

    Black chalk with white highlights on buff paper
    6 7/8 x 10 1/4  in. (17.5 x 26 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.39

  • Dream Forms, c. 1940s -
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     £3,500 



    Presentation: Framed
    SN: 4579

    Signed,
    gouache on paper,
    15 x 22 in. (38 x 55.8 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.81

  • North Sea Incident, 1957 -
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     £1,000 



    Presentation: Framed
    SN: 4584

    Signed
    Pencil and gouache on card
    17 3/8 x 13 1/2 in. (44 x 34.5 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.86

  • A Good Old Fashioned Chicken Farm, c.1940 -
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     £550 



    Presentation: Mounted
    SN: 4282

    Pencil, watercolour, white chalk and white gouache highlights
    on brown paper
    10 3/8 x 15 in. (26.2 x 38 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.59

  • Hippopotamus -
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     £1,100 



    Presentation: Passe-partout
    SN: 4581

    Black chalk with white and pink highlights on grey paper
    7 3/4 x 13 in. (20 x 30 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.38

  • Monarch of the Glen, circa 1935 -
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     £950 



    Presentation: Mounted
    SN: 4379

    Watercolour on paper
    11 x 15 1/4 in. (28 x 39 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.7

     





  • Reginald Alexander John Warneford Attacking Zeppelin LZ-39 -
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     £1,900 



    Presentation: Framed
    SN: 4459

    Signed,
    Gouache on card
    16 x 12 in. (30 x 28 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.83

     





  • End of a sea raider, circa 1957 -
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     £1,500 



    Presentation: Framed
    SN: 4460

    Signed 
    Gouache on card
    16 x 12 in. (30 x 28 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.76







  • The Adventures of René Cutforth, c. 1956 -
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     £850 



    Presentation: Passe-partout
    SN: 4461

    Pencil and gouache on card
    10 5/8 x 11 in. (27 x 28 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.88

    Original drawing for January 1956 issue of Lilliput 

     

     



  • Impala -
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     £1,650 



    Presentation: Passe-partout
    SN: 4500

    Inscribed with title
    Coloured chalk
    10 x 15 in.(25.3 x 37cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.42

     

     

  • Crsitine seated on a stool with doll caled Sylvie c. 1950 -
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     £974 



    Presentation: Framed
    SN: 4499

    Watercolour and pen and ink
    12 x 9 in. (29 x 22.8cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.26

     

     

  • Micheal with toy car, circa 1952 -
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     £1,200 



    Presentation: Mounted
    SN: 4437

    Pen ink and watercolour
    15 x 11 in. (38 x 28 cm)

    Provenance: the artists daughter

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.20





  • Self Portrait, 1941 -
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     £3,300 



    Presentation: Passe-partout
    SN: 4495
    Signed and dated
    Pen and ink on paper
    10 1/2 x 8 3/4 in. (26.7 x 22.5 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.15
  • Self Portrait, glancing to left, circa 1940 -
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     £1,800 



    Presentation: Passe-partout
    SN: 4496

     Black chalk with white highlights on dark grey textured paper
    12 3/4 x 8 1/2 in. (32.5 x 21.8 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.18





  • Nets ad Lobster pots, Mudford, near Christchurch, Dorset,C, 1950's -
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     £950 



    Presentation: Passe-partout
    SN: 4503

    Pencil on paper
    10 x 14 1/4 in. (25.5 x 36.4 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.62

  • Studies od a hippopotamus -
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     £1,800 



    Presentation: Unmounted
    SN: 4586

    Black chalk with whitehighlights on grey paper
    9 7/8 x 12 1/4 in. (25 x 31 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.40

  • a ship sunk to block the channel and The Henry-Farman plane -
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     £300 



    Presentation: Passe-partout
    SN: 4872
    Inscribed with title
    Pen and ink with highlights in white
    20 x 8.5 cm (29 x 17.5 cm framed)

     

    Between 1934 and 1958 Sheppard illustrated well over 100
    books. The majority of these date from the 1950’s when Sheppard
    was often illustrating as many as ten a year – a prodigious
    rate tragically cut short by his death at the age of 45. Commissions
    from over fifteen publishing houses (Hutchinson, Blackie
    and Son, Macmillan, Oxford University Press, Faber and Faber)
    included illustrations for leading authors of the day such as Enid
    Blyton, (two books in 1948 as well contributing to a regular annual
    she wrote all the stories for), Jim Corbett (six titles between
    1947 and 1955) and, perhaps most notable of all, a commission
    in 1952 (shared with Tunnicliffe) to illustrate Ernest Hemingway’s
    The Old Man and the Sea.
    Equally successful was Sheppard’s career as an illustrator for comics
    such as Eagle, Girl, and Swift, and magazines such as Boy’s Own
    Paper, Lilliput, Everbody’s, Picture Post, and Reynolds News. Lilliput
    was founded in 1937 by Stefan Lorant , (the photo journalist who
    later created Picture Post), with a subtitle of “The Pocket Magazine
    for Everyone.” Its original size was allegedly such that it could be
    slipped into a soldier’s trenchcoat and was no doubt read in many
    an air-raid shelter in that handy size. During its 23 year run the
    magazine contained the illustrations of Mervyn Peake, Eric Fraser,
    Frank Bellamy (of Dan Dare fame) and, perhaps most famously,
    Ronald Searle’s cartoon series St. Trinians. The magazine became
    known for its photographs too, with work by Brassai, Zoltan
    Glass and also Bill Brandt. The magazine subtitle was changed
    in September 1954 to “Lilliput is a Man’s Magazine” . From a
    starting position of 216,562 in 1938 - double that of Punch at the
    time - by May 1959 Lilliput was only selling circa102,000 copies
    - number 277, July 1960, was the last issue at which point it was
    merged with Men Only.

     


  • H.M.S. Goliath and The end of the Konisberg -
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     £280 



    Presentation: Passe-partout
    SN: 4873
    Inscribed with title
    Pen and ink with highlights in white
    9.5 x 18 cm (18.5 x 27 framed)
  • North sea incident - Attack on the Fleet -
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     £950 



    Presentation: Passe-partout
    SN: 4875

    Inscribed with title
    Pen and ink on board prepared with gesso
    9 1/8 x 10 1/2 in. (23 x 27 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.75

    The Russian Admiral had apparently gone mad, seeing Japanese Torpedo-Boats everywhere.  Shells began to tear apart the Grimsby Trawler fleet....
  • Portrait of Lopatkin, amateur inventor, circa 1950 -
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    Presentation: Framed
    SN: 4966

    Black chalk with white chalk highlights, on brown paper.
    10 1/2 x 8 in. (26.5 x 20 cm)


  • Portrait of Christine, circa 1950 (S|R 69) -
    Send image Biography Sold


    Presentation: Mounted
    SN: 2107

    Black chalk with white chalk highlights, on grey paper.
    6 3/8 x 5 in. (16.2 x 12.5 cm.)
    Christine Sheppard, the artist's daughter.

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.23

  • Study of a cockrel -
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    Presentation: Passe-partout
    SN: 3106
    Red pencil on paper, 6 3/4 x 9 1/4 in. (17 x 23.5 cm.)
    (10 1/4 x 12 3/4 in. (26 x 32.5 cm.) framed)
  • Study of a Macaw late 1940's (S|R 75) -
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    Presentation: Mounted
    SN: 3465
    inscribed with title Pencil with crayon highlights.
    12 5/8 x 9 1/2 in. (32 x 24 cm.)
    Christine Sheppard, the artist's daughter.
  • Field with Ponies possibly Bushy, Herts (S|R 45) -
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    Presentation: Mounted
    SN: 3472
    8 x 10 3/4 in. (20 x 27.3 cm.)
  • Cockrel -
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    Presentation: Mounted
    SN: 3896
    Ink and wash on paper, 35.5 x 24.8cm
  • Swans -
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    Presentation: Mounted
    SN: 3906
    Pen and wash on paper, 25.5 x 36.7cm
  • Estuary -
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    Presentation: Mounted
    SN: 3907
    Pencil on paper, 25.5 x 35.5cm
  • The Artist's father-in-law smoking a pipe -
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    Presentation: Mounted
    SN: 3909
    Ink and wash on paper, 25.4 x 36.3cm
  • Study of feet -
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    Presentation: Mounted
    SN: 3915
    Pencil on paper,
    36.2 x 25.4cm
  • Hengistbury Head -
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    Presentation: Mounted
    SN: 3919
    Watercolour, 38.7 x 38.3cm
  • Christine, seated reading, with portraitof Micheal to upper, c.1951 -
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    Presentation: Mounted
    SN: 4367

    Signed
    Pen, ink and brown wash
    19.5 x 22.4 cm




  • Polar Bears, circa 1934 -
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    Presentation: Framed
    SN: 244
    Signed, and inscribed on label to reverse
    Oil on Winsor & Newton's "Rathbone" Canvas Board
    16 x 20 ins. (40.5 x 50 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.11
  • Lion stalking zebras 1934 -
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    Presentation: Framed
    SN: 308
    Signed, dated on reverse
    Oil on "Rathborn" canvas board
    12 x 16 in. (30.5 x 40.5 cm).

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.13

    Provenance: Christine Sheppard
    Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour pages 89-90
  • The Quantock Hills circa 1930 -
    Send image Biography Sold


    Presentation: Framed
    SN: 310
    Signed, titled to reverse
    Oil on "Rathborn" canvas board
    12 x 16 in. (30.5 x 40.5 cm).

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.8

    Sheppard visited  the Dunster region of  Somerset, in the early 1930's staying in a B&B.  A landscape from the same period shows  Dunster castle in the distance, in the vicinity of the Quantock Hills
  • Polar Bears, circa 1950 -
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    Presentation: Framed
    SN: 554
    Signed; watercolour, 15¼ × 22½ in. (39 × 57 cm.)
    Provenance: Christine Sheppard, the artist’s daughter
    Literature: ‘Drawings at the Zoo’, The Studio, 1949, p.28

    Sheppard’s output as a graphic artist was prodigious, but he is less well known today than he might be, partly on account of his early death, at the age of forty-five. His remarkable studies of birds and animals from life were mainly undertaken at Regent’s Park Zoo. On the strength of these he was made a Fellow of the Zoological Society in 1949. In the same year, he published ‘Drawing at the Zoo’, one of three collaborations made with The Studio magazine.
  • Abstract, circa 1950 -
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    Presentation: Framed
    SN: 555
    Signed; pen and ink, watercolour and gouache,
    12 × 16½ in. (30.5 × 42 cm.)
    Provenance: Christine Sheppard, the artist’s daughter

    Although best known as an illustrator, especially of magazines such as Lilliput, Picture Post and The Studio as well as of children’s books, Sheppard was one of the most gifted painters of wildlife of his generation. He was also an extremely diverse artist, producing semi-abstract and surrealist images alongside those of a purely realistic nature.

    Sheppard’s abstract works probably date to the late 1940s and early 1950s. Organic in form, they were a natural extension of the interest he had in plants and animals, but are likely to have been equally informed by his work with the Royal Air Force photographic section from 1939 to 1945.
  • The Artist’s Children at Play, circa 1950 -
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    Presentation: Framed
    SN: 556
    Signed; watercolour over pen and ink, on Whatman board, 8⅞ × 13 in. (22 × 33 cm.)
    Provenance: Christine Sheppard, the artist’s daughter

    This shows Christine, aged six, and Michael, aged four, in the sitting room of
    their home, 65 Dorchester Way, Kenton, north-west London. Sheppard’s family provided models for him, and the domestic scenes of their everyday lives offered an endless range of subject matter.

    ‘I remember posing many, many times for my father. Sometimes we were paid pocket money for sittings, especially when we didn’t feel like sitting still! I think we wanted to help our dad and were, mainly, willing. I clearly remember the toys in the picture’ (Christine Sheppard, email to Paul Liss, 3 May 2007).
  • Women Walking, signed, 1940s -
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    Presentation: Framed
    SN: 4578

    Pencil and watercolour on paper,
    20 7/8 x 12 1/4 in. (53 x 31 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.1


  • Crash in Flames, circa 1957 -
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    Presentation: Framed
    SN: 1592
    Inscribed with title in pencil
    Pen and ink,
    3 1/2 x 3 3/8 in. (9 x 8.5 cm.)

    Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.71

    This appeared in Lilliput, (vol 41:4), Operation Jericho by Sandy Sanderson Literature: Lilliput, October 1957, vol 41:4, issue 244, p 22 (reproduced)
  • Michael and Christine With Toys and Books, c. 1950s -
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    Presentation: Framed
    SN: 4576

    Signed,
    watercolour over pen and ink onWhatman board,
    11 x 15 in. (28 x 38 cm.)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.30

  • Leopard and head of a lion, c. 1940 -
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    Presentation: Mounted
    SN: 2102
    Pencil with coloured crayon highlights
    13 3/4 x 9 3/4 in. (35 x 25 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.37
  • Toucan c. 1950 -
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    Presentation: Mounted
    SN: 2451
    signed Pastel.
    15 3/4 x 23 5/8 in. (40 x 60 cm.)
    The artist's family.
  • Morane Saulnier no. 3253 piloted by Reginald Alexander John Warneford attacking Zeppelin LZ-37, north of Ostend 1915 -
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    Presentation: Framed
    SN: 2454
    Pen and ink on board prepared with gesso
    11 × 11 in. (28 × 28 cm)
    Provenance: Christine Sheppard, the artist’s daughter .
    Literature: ‘Warneford,VC’,  in Lilliput, March 1957, pp. 20–7.
  • Reginald Alexander John Warneford and Squadron Commander Spenser Grey attacking Zeppelin LZ-39, east of Dunkirk 1915 -
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    Presentation: Framed
    SN: 2455
    Pen and ink on board prepared with gesso
    13-3/4 × 7-7/8 in. (35 × 20 cm)
    Provenance: Christine Sheppard, the artist’s daughter .
    Literature: ‘Warneford,VC’, in Lilliput, March 1957, pp. 20–7.
  • St Paul's Under Attack from Zeppelin LZ-38 1915 -
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    Presentation: Framed
    SN: 2577
    Extensively inscribed with printing instructions
    Pen and ink on board prepared with gesso
    9-1/2 × 7-7/8 in. (24 × 20 cm)

    Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.74

    Provenance: Christine Sheppard, the artist’s daughter .
    Literature: ‘Warneford,VC’, in Lilliput, March 1957, pp. 20–7.

    This illustration, from 1957, was commissioned by Lilliput, a small-format British monthly magazine of humour , short stories, photographs and the arts, founded in 1937 by the photojournalist Stefan Lorant.The illustration records an important event in the FirstWorldWar , when on 31 May 1915, the LZ-38
    became the first Zeppelin to bomb London: ‘we can still feel a macabre horror over the picture of a pencil-slim object slow-moving in the night-dark, licked by searchlights, seemingly immune to gunfire, slipping incredible death from its belly before gliding unharmed away’ (Lilliput).

    Raymond Sheppard served with the Royal Air Force photographic section
    from 1939–45.

  • Primeval Forms, 1940s -
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    Presentation: Mounted
    SN: 2798
    Gouache.
    22 5/8 x 28 3/4 in. (55 x 73 cm.)

    Provenance: Christine Sheppard

    Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour page 170

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.82

  • Surrey Commercial Docks ,circa 1940 -
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    Presentation: Mounted
    SN: 3290
    Signed
    Watercolour
    15 x 20 1/2 in. (38 x 52 cm.)

    Provenance: Christine Sheppard
    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.69

    Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour pages 154-5
  • Ploughing circa 1940 -
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    Presentation: Framed
    SN: 3287
    Signed
    Watercolour
    14 x 17 3/4 in. (35.5 x 44.5 cm.)

    Provenance: Christine Sheppard
    Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour pages 148/9

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.9
  • Self portrait circa 1930 -
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    Presentation: Framed
    SN: 3288
    Oil on "Dalston" canvas board
    16 x 12 in. (40.6 x 30.5 cm.)

    Provenance: Christine Sheppard
    Literature: Raymond Sheppard, Capturing the Moment, Langford Press, reproduced in colour page 14

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.6
  • Borrowed gun for Liliput illustration
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    Presentation: Mounted
    SN: 3467
    Variously inscribed Pen and ink with watercolour.
    10 x 14 in. (25.5 x 35.5 cm.)
    Christine Sheppard, the artist's daughter. 
  • Two Leopards Courting - circa 1950 -
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    Presentation: Passe-partout
    SN: 3880
    Pastel on brown paper
    8 1/4 x 12 1/2 in. (21 x 32 cm)

    Literature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.35

  • Crossing the Alps, c. 1950 -
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    Presentation: Framed
    SN: 4574
    Pastel on coloured  paper
    21 5/8 x 31 in. (55 x 78.5cm)
    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.87




  • Rooks in a cage -
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    Presentation: Framed
    SN: 4583

    Signed
    Watercolour on paper
    6 1/4 x 9 1/2 in. (16 x 24 cm)

    Litterature: Raymond Sheppard, Master Illustrator, Liss Fine Art, November 2010, Cat.49

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